otis redding album covers

Oct 25, 2020 02:53 am

[26] Although it only reached number 75 on the Billboard 200 in 1966,[27] three of its singles charted on the Billboard Hot 100: "I've Been Loving You Too Long" charted for 11 weeks and peaked at number 21, "Respect" spent 11 weeks and reached number 35, and "Shake" spent six weeks and reached number 47.

[2] Following the moderately successful Pain in My Heart and The Great Otis Redding Sings Soul Ballads, both of which performed well in the newly established Billboard R&B LP chart but not in the Billboard 200,[3] preparations for the third studio album followed soon after. © 2020 Minnesota Public Radio. Bonus video: Remember Michael Bolton? Furthermore, it produced three popular singles, all charting at least in the top 50 on both the Billboard R&B and the Billboard Hot 100 chart. The album was recorded in a 24-hour session between 10 am July 9 (a Saturday) and 2 pm July 10, with a break from 8 pm Saturday to 2 am on Sunday to allow the house band to play local gigs.

[37] Then, NME ranked it 405 on their 2013 edition. He also felt the album "presents his talent unfettered, his direction clear, and his confidence emboldened". Definitely the, um ... hairiest cover? [42], An expanded double-disc set edition of Otis Blue was released in 2008 by Rhino Records, which includes both the stereo and mono versions of the album with bonus tracks that include B-sides, live tracks, and previously unreleased alternate mixes. He dubbed the album Redding's "definitive statement". "[15] "Satisfaction" sounded so plausible that a journalist even accused the Stones of stealing the song from Redding, and that they performed it after Redding. All you can look for is a little respect when you come home. Bonus video: Salt-n-Pepa's 1968 song "Tramp" samples the Otis original and screams "PRODUCT OF THE LATE '80s!".

Bonus video: Otis was so honored by the Stones cover, he returned the favor with a blazing version of "Satisfaction. Listen Live, Exploring the musical legacy of Prince and beyond [13] The album opens with the "mournfully harried" "Ole Man Trouble".

Virtual Gig List: Gaelynn Lea; Pedro the Lion; Houston Jazz Festival; the Lemonheads; Cold War Kids and more, Virtual Gig List: Pedro the Lion; Lilly Hiatt; the Drums and more, Virtual Gig List: The Beths; Aoife O'Donovan; Okkervil River; Pedro the Lion; Rhett Miller and more, Virtual Gig List: Omar Apollo; Lake Street Dive; Oddisee; Patterson Hood and more, First Avenue's Annual Halloween Party & Costume Contest, he returned the favor with a blazing version of "Satisfaction.".

"Respect" was inspired by a quote of drummer Al Jackson, Jr., who allegedly … [28] Both stereo and mono pressing of Otis Blue charted in the United Kingdom; the former spent 21 weeks and reached number six in 1966, and the latter spent 54 weeks and reached number seven in 1967. ‎ (LP, Album, Ltd, RM, Red) Monterey International Pop Festival Foundation: MIPF 1967-5: US: 2019: Sell This Version to pre-order: http://amzn.to/PfdQIG, 集分宝签到领取在哪全城看,”他认为,国民素质的提高离不开艺术的熏陶,“我们现在做的就是让更多的人通过我们的书院和公益活动,来感受中华的文学和艺术的魅力,由此来提升综合的素养。摄制组人员通过拍摄吉州窑博物馆,感受了庐陵文化、陶瓷文化的深邃内涵,并现场探访吉州窑24座古窑包。, Otis Blueがクラシックソウルストアでいつでもお買い得。当日お急ぎ便対象商品は、当日お届け可能です。アマゾン配送商品は、通常配送無料(一部除く)。, Otis Redding/Jimi Hendrix at Monterey Pop Festival. [21] The song was described as "a hard-swinging, full-throated 2:40 of precision ferocity with a force that would flat-out explode during his live sets.

", Bonus video: Blues Brothers fans will recognize "I Can't Turn You Loose" from the band's famous mall chase scene.

May 2, 2012 - Otis Redding Albums. [18] Redding shouted to a woman for more respect, while Franklin ironically countered the song and transformed it into a "feminist hymn". [6][7][8][9] As was the case with the previous album, engineer Tom Dowd came to the studios to assist the recording, dubbing Redding as a "genius" next to Bobby Darin and Ray Charles.

King's "Rock Me Baby"; The Rolling Stones' "Satisfaction", on which Redding sings "fashion" instead of "faction";[3] and William Bell's "You Don't Miss Your Water", which was characterized as "sorrowful country blues",[14] and has "one of the most devastating pleading-man lead vocals in the entire Stax catalog. It is considered by many critics to be Redding's first fully realized album.[1]. All rights reserved. [14][20] Nate Patrin of Pitchfork felt that the song "ratchets up both the gospel beatitude and the secular lust". [15] Claudrena N. Harold of PopMatters also praised the diverse sound, which, according to her, is a mixture of "Motown pop, the blues, British rock, and Southern Soul", although she cited Complete & Unbelievable: The Otis Redding Dictionary of Soul as Redding's best album. The album opens with the "mournfully harried" "Ole Man Trouble". Otis Redding: April 1982: The Beatles: A Lover's Question: Otis Redding: February 1969: Clyde McPhatter: Amen: Otis Redding: June 15, 1968: Are You Lonely for Me Baby: Otis Redding & Carla Thomas: March 16, 1967: Freddy Scott: A Woman, Lover, a Friend: Otis Redding: March 1965: Buddy Johnson & His Orchestra: Bring It on Home to Me: Otis Redding & Carla Thomas: March 16, 1967 Stax Records president Jim Stewart had released Otis Redding's "These Arms of Mine" after hearing him sing it at an audition in 1962; and when it charted, he signed Redding to Stax. 2, Live at the Whisky a Go Go: The Complete Recordings, Dreams to Remember: The Otis Redding Anthology, https://en.wikipedia.org/w/index.php?title=Otis_Blue/Otis_Redding_Sings_Soul&oldid=973050088, Albums produced by Jim Stewart (record producer), Albums produced by David Porter (musician), Short description is different from Wikidata, Album articles lacking alt text for covers, Creative Commons Attribution-ShareAlike License, This page was last edited on 15 August 2020, at 03:13. [38][39] The album was also ranked 74 on the 2003 Rolling Stone magazine's 500 Greatest Albums of All Time list, and 78 in a 2012 revised list.

's, a horn section of members of The Mar-Keys and The Memphis Horns, and pianist Isaac Hayes.

's (keyboardist/bandleader Booker T. Jones, guitarist Steve Cropper, bassist Donald "Duck" Dunn, drummer Al Jackson Jr.), Isaac Hayes on piano, and a horn section consisting of members of the Mar-Keys and the Memphis Horns.

[19] "Down in the Valley" is a funky cover of Solomon Burke's original, with whom Redding toured before the recording. Bonus video: "Hard to Handle" was a mainstay of the Grateful Dead's live set from 1969 to 1971.

"[17], Essentially a ballad, "Respect" is an uptempo and energetic song, which took "a day to write, 20 minutes to arrange, and one take to record", according to Redding.

Bonus video: Kanye West and Jay-Z sampled "Try a Little Tenderness" in their Watch the Throne song "Otis.". [26] Bruce Eder from AllMusic wrote that "Redding's powerful, remarkable singing throughout makes Otis Blue gritty, rich, and achingly alive, and an essential listening experience." Soul as Sung by Otis Redding and Little Joe Curtis (1968, Alshire Presents) The Best of Otis Redding (1972, Atco) Ten Years Gone (1977, Atlantic; Japan-only 3-LP compilation) The Ultimate Otis Redding (1986, Warner Bros.) The Otis Redding Story (1987, Atlantic) The Dock of the Bay – The Definitive Collection (1987, Atlantic) Otis Blue was critically acclaimed and became one of Redding's most successful albums; it reached number 6 on the UK Albums Chart, and was his first to reach the top spot of the Billboard R&B chart. For Claudrena N. Harold of PopMatters, the song is one of his most phantasmagoric tunes. [13] Angus Taylor of BBC Music commented that it stands "at the crossroads of pop, rock, gospel, blues and soul", and asserted that the album contains "a set of short, punchy covers and originals, flawlessly ordered to ebb and flow between stirring balladry and foot stomping exuberance". The album appeared in "1001 Albums You Must Hear Before You Die".

Good to Me: Live at the Whisky a Go Go, Vol. The lyrics deal with a man, who is "unable to escape the brutal realities of the blues", and has been compared with Paul Robeson's "Ole Man River". [24], The album's commercial performance helped Redding cross over into the pop market. Bonus video: On the day before his December 1967 plane crash, Otis performed "Respect" on an episode of Cleveland television show Upbeat. Minnesota Public Radio - 89.3 The Current.

https://www.thecurrent.org/feature/2013/02/09/best-otis-redding-covers-playlist For Claudrena N. Harold of PopMatters, the song is one of his most phantasmagoric tunes.

See more ideas about Otis redding, Otis, Album covers. Bonus video: Seal's cover warrants an honorable mention, as does this lo-fi White Stripes rendition. [16] "Respect" was inspired by a quote of drummer Al Jackson, Jr., who allegedly said to Redding after a tour, "What are you griping about? Listen Live, Acoustic, Americana and Roots

We pick the best and pair them with the Otis originals in this special playlist.

[29] Two different pressings of the song "My Girl" also charted in the UK; a 7-inch single peaked at number 11 and charted for 16 weeks in 1965, and a reissued single in 1968 reached number 36 and charted for nine weeks.

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